Martin Scorsese’s Film Foundation Unveils African Film Heritage Project

10 March 2017

Broadcast

Martin Scorsese’s Film Foundation has unveiled the African Film Heritage Project to locate, restore, and preserve African films in a partnership with the Pan African Federation of Filmmakers and UNESCO.

Martin ScoresseScorsese announced the initiative Thursday, noting that it follows the foundation’s World Cinema project.

“There are so many films in need of restoration from all over the world,” he said. “We created the World Cinema Project to ensure that the most vulnerable titles don’t disappear forever. Over the past 10 years the WCP has helped to restore films from Egypt, India, Cuba, the Philippines, Brazil, Armenia, Turkey, Senegal, and many other countries.

“Along the way, we’ve come to understand the urgent need to locate and preserve African films title by title in order to ensure that new generations of filmgoers — African filmgoers in particular — can actually see these works and appreciate them. FEPACI is dedicated to the cause of African Cinema, UNESCO has led the way in the protection and preservation of culture, and I’m pleased to be working in partnership with both organizations on this important and very special initiative.”

Cheick Oumar Sissoko, FEPACI secretary general, said that the effort is necessary.

“Africa needs her own images, her own gaze testifying on her behalf, without the distorting prism of others, of the foreign gaze saddled by prejudice and schemes,” Sissoko said. “We must bear witness to this cradle of humanity which has developed a rich and immense human, historical, cultural and spiritual patrimony.”

Irina Bokova, UNESCO director-general, said the effort would promote cultural diversity, facilitate access to African classics, and foster African creativity.

The project will support the restoration of an initial selection of 50 films as identified by FEPACI’s advisory board, made up of archivists, scholars, and filmmakers who are active in Africa. It will also conduct a survey to locate the best existing film elements for each title in African cinémathèques and film archives.

Source: Variety 2 March 2017